Museum of contemporary art of Montenegro
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The lecture by PhD Goran Zlodi, titled “From Museum Documentation to Communication in the Digital Environment – Standards, Practice and Perspectives,” will take place on Wednesday, October 1, at 1:00 p.m. at the House of The Kings Guard. The talk will focus on the role of new technologies in contemporary museums, emphasizing that the key

Last night, the Museum of Contemporary Art of Montenegro officially opened its exhibition Montenegro Today I – Challenges and Perspectives at the Novak Gallery in Ljubljana. The audience in Ljubljana now has the opportunity to explore selected perspectives of the contemporary Montenegrin art scene through the works of sixteen artists of different

On Tuesday, September 30 at 7 p.m., the exhibition “Drawings” by renowned Montenegrin artist Ilija Branko Burić will open at the Petrović Castle, organized by the Museum of Contemporary Art of Montenegro. The exhibition is curated by Marina Čelebić. Burić returns to the Petrović Castle exhibition space after almost three decades—his first show here was in 1995. The

After a detailed review of fourteen applications submitted by authors and author teams in response to the Public Call for Montenegro’s representation at the 61st Venice Biennale of Art in 2026, the jury composed of Odile Decq, architect (France);  Hélène Audiffren, Director of the Carré d’Art Museum of Contemporary Art in

The project “Out of the Blue, I'm Swept Away” by artist Siniša Radulović and curator Dr. Svetlana Racanović will represent Montenegro at the 61st Venice Biennale. After a detailed review of fourteen proposals submitted in response to the Public Call for Montenegro’s participation in the 61st Venice Biennale, the expert jury decided that the project Out of the Blue,

The exhibition “Waste Land” by prominent Montenegrin sculptor and contemporary artist Ivana Radovanović was officially opened last night at Kolektor, organized by the Museum of Contemporary Art of Montenegro. In her address, the exhibition’s curator Milica Bezmarević emphasized that Ivana Radovanović’s latest works “clearly inscribe themselves in the theoretical discourse that art theorist Rosalind Krauss defines as the expanded field